find some of my online publications here:
—1—
an article about Cao Fei
—2—
a rough (translated into Dutch) suggestion for a project entitled “Terrifying Art” or its English presentation used in 2008 during a conference at Maastricht university
—3—
Here a paper I wrote on an immersive New Media art work. It is instigated by a ZKM Medienmuseum visit in Germany. It would be exhilarating to see more immersive trans-media outside museums and across common urban settings. Imagine a park in Beijing. There is a tree, or two. People communicate with them and create art of the moment projected onto an outdoor LED screen. Perhaps these could be complementary variations on the Chinese park-calligraphists with the over-sized sponge brushes and serene demeanor.
—4—
There are several Beijing-based Chinese artists (and their family) I respect. Here you can find an example copy of a text I wrote based on conversations I had with Wang Huaiqing and Wang Tiantian.
Find the above and more on my issuu.com page here.
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About jan—animasuri
anima suri (a.k.a animasuri, animasuri, animasuri, animasuri’10, animasuri’11)
animasuri is an ongoing project using technologies as media, text as sound and sometimes visuals as odors. animasuri is trans-media. It is possibly mixed with irony, possibly with salad or coconuts; depending on the gaseous nature of transatlantic chatter.
animasuri is a rational, calculated forecast of the surreal. It comments and reflects on the perceptions of daily experiences while losing all grips with it. It is highbrow on a low hanging belly.
animasuri provides surrealist BrainNnocularZ containing contextual media from teaspoons to nailtrimmings.
Some of animasuri’s forms drink bear, or cuddle beer. Some pick noses, or snooze with pixies. Others tap on keys or rather let them tap on others. Therefor, animasuri is clearly straightshooting vegan.
animasuri is cerebrally monkey-styled.
animasuri browses through the intertwined visual corridors connecting sound art, visual aberrations, appropriationist art, sound poetry and the spoken or written word. As source material visual bits, conceptual queues or soundbites are derived from pre-existing sonic or other materials, artificial creations and digital errors, environmental record-keeping, bio-confabulation and appropriation of context.
animasuri is ex- in the premature sense of the word.
Etymologically, animasuri is a French-like sourir pickpocketing an Anglican feminist Latin soul. animasuri is not French nor English nor American and surely not Spanish or Brazilian; it is homi in a Bhabha-esque swirl. It is balance found in the chaos of established stereotypes while acknowledging male nipples are trans-national and universally misunderstood.
As a reflection of an extrinsically-labeled happily married white Caucasian Judeo-Christian heterosexual Buddha-lover, animasuri finds harmonious solace in Judith Butler’s “Gender Trouble” without any sexual troubling implications.
Politically left-free, animasuri is capitalistically comfy bathing in loyal conservative strands amidst its progressive left libertarian conceptualizations with a-communist socialist twists.
animasuri contradicts therefor is not.
