Yesterday I pulled a hair of yours from the GPU no longer processing what it was for: the hair, a single visual of virility, once golden lock
I desire for accuracy, and proper process I demand cleanliness and method I own tools in proper Goldilocks zones yesterday I pulled a hair of yours
it prompted a visual of how I see you output hidden from alien invasion, how I saw you within the cranial privacy of my neuro-being a crack, a rift, the hemispheres appeared
the polis that is my mind partisan’ed now multidimensional making of truth conflicting as love-making that nightly chess game yesterday I pulled a hair of yours from the mainframe
Yesterday I pulled you from the motherboard one strand one hand one rip one slip calculations halted, output fuzzed logic principles and agendas shivered
positivist poles discovered a third repulsion choreographing a fourth attraction directing multitudinous memory of a plucked string resonatingly yours
Yesterday was the day you were no more, that many years ago, and yet and yet and yet: here you are my dear: here you show.
“Personifying my dustbin I put large googly eyes on the lid the size of coasters for a teapot, with googly eyes,” stated James proudly
“now that Mickey is public I can totemize ‘im and worship his bubbly effigy without reprimand and Goofy’s eyes”
“on the dashboard of Desire, my streetless car, with googly, yes, eyes. We are the holy trinity the manna, the sustenance, the rye”
“I belong to this machinery now of prefab authenticity and eyes on the ball drab togetherness, personalized efficiency without growing pains of eccentricity”
James lauded regurgitation as celebration of anthropocentric application of iteration, recursion without much effort to skip to the upcoming version
in rows of mass drumbeats matching outfits and synchronized battle cries Sierpiński and Mandlbrot, Droste: poor me a coco; together now! Snowflake and Tree-branch, pour
names of his friends imagined and brutal truths ripped from first date theater tickets on a no-nonsense shoulder: “geradeaus ist einfach immer geradeaus”
down the gentle bird-green path green adorned with children’s rhymes and meticulously machined sandpapered laughs and fingertip epistēmē
Jacobus was looking for a friend. Someone who could understand. Someone, or anything really, who would share their own experience Someone Jacobus could relate to.
For years now Jacobus has been living. Living with hiccups. It’s interruptive and jolting joy. It is a serious matter.
At times Jacobus’ fist is planted onto the table’s surface. Cracks occurred, and that while having a background in engineering as well as having a degree in medicine:
with a specific focus on computer science and then these latest learning technologies of machines, anthropomorphically deep
—deeper then the mucosal surfaces of Jacobus’ larynx, glottis and all —with a specialization in diaphragm irritations and spasms. with a confidence of authority and funds on call with pitched, intense unquestioned interest and hypes and with thrall
Incisively, Jacobus set out to invent a model one that could generate output interrupted by hiccups. Incessantly, incessantly, multimodally: hiccups; while hurling all water from the soil.
“Drink a cup of water,” said Jacobus, “take it in.” Knowing full well that didn’t work for him to date, not at all. None of that brought him any closer to that one, idealized breath of peace.
—animasuri’24
—-• a trigger
Fuchs, T. (2024). Understanding Sophia? On human interaction with artificial agents. IN: Phenom Cogn Sci23, 21–42 (2024). https://doi.org/10.1007/s11097-022-09848-0
Howick, J., Morley, J., Floridi, L. (2021). An Empathy Imitation Game: Empathy Turing Test for Care- and Chat-Bots. IN: Minds and Machines 31 (3): 457–61. https://doi.org/10.1007/s11023-021-09555-w.
McKeown, G. (2015). Turing’s menagerie: Talking lions, virtual bats, electric sheep and analogical peacocks: Common ground and common interest are necessary components of engagement. IN: International Conference on Affective Computing and Intelligent Interaction (ACII), Xi’an, China, 2015, pp. 950-955, doi: 10.1109/ACII.2015.7344689.
Selinger, E., Dreyfus, H., & Collins, H. (2007). Interactional expertise and embodiment. Studies in History and Philosophy of Science Part A. https://doi.org/10.1016/j.shpsa.2007.09.008
Why if it is in the little themes as little as a granule fitting between two toes needle-like discomfort socked in a shoe, in a finance meeting
that a self-judging reusable rocket promised to Mars inspires thought
Why is it of all the little themes if minutia as a pattern as a gnome as a reconnaissance in the marvel of the marble on the bathroom floor, remind one
that DNA editing toward Dodos and Mammoths inspires symptoms
Why, in the little themes overlooking the Thames few lines organized together to be misunderstood as a poem in the shadow of world literatures and mass floods opinionated
that geo-engineering scheme to coolness inspires transpiration
Why it is in the abundance of little themes of, if it were a gentle crossing of eyes unfitting the length of lived relations love is still spoken confidently unheard
that social robots trigger conversation while we mumble enacting meaningless barbarisms
Why if of beings tiny grand if undefined if muddled, of so-ever this and that if filled with why yet more with digital chat
that with persistence and grit under one’s mindful feet disturbed, inspires a procrastinating walk
Why if it is themed small, circling a celestial bending of water still demanding the nonchalance and the surreal of a genuine smile
that I yearn and act beyond this end unheeding what inspires cause:
“Is it inclusive enough?” respecting “emotional expression”
expression as colors by numbers 4 or 8:
one is death in Chinese the other prospers
a mathematician’s irritate:
platonic perplexing paper planes and euclidian scaping ordinary worms
squirming here to one line of thought:
“and why is intelligence the artificial layer
we are promoting:”
is then objectivity if all-inclusive in nature
there, STEM fetish that:
we flirt-fear intelligence for centuries colonially in making it
the intentional, yet now:
colorfully, arr-hythmically measurably absurd.
—animasuri’24
—-•
trigger
Cave, S. (2020). The Problem with Intelligence: Its Value-Laden History and the Future of AI. IN: A. Markham, J. Powles, T. Walsh, A.L. Washington (Eds.). (2020). Proceedings of the AAAI/ACM Conference on AI, Ethics, and Society (AIES ’20) (pp. 29–35). Association for Computing Machinery. https://doi.org/10.1145/3375627.3375813
Mouta, A., Pinto-Llorente, A. M., & Torrecilla-Sánchez, E. M. (2023). Uncovering Blind Spots in Education Ethics: Insights from a Systematic Literature Review on Artificial Intelligence in Education. IN: International Journal of Artificial Intelligence in Education. https://doi.org/10.1007/s40593-023-00384-9
a saturation remanence of a probabilistically made up history
you will be able to unearth
the generated steps on a Moon landing film set
you will be able to dust off
The flat Earth from bloated dreams and pigeons and turtles with girth
you will be able to identify
those who claim no expertise yet by doing so get away with accolades
you will be able to say you were enabled
There will come a day we will claim you had agency
you will be able to deny that
and as for this life beautiful you smile, truce, and let us play truth
to the empowered.
—animasuri’24
—-• trigger
Emirbayer, M., & Mische, A. (1998). What Is Agency? American Journal of Sociology, 103(4), 962–1023. https://doi.org/10.1086/231294
Floridi, L., Cowls, J., Beltrametti, M., Chatila, R., Chazerand, P., Dignum, V., Luetge, C., Madelin, R., Pagallo, U., Rossi, F., Schafer, B., Valcke, P., & Vayena, E. (2018). AI4People-An Ethical Framework for a Good AI Society: Opportunities, Risks, Principles, and Recommendations. Minds and Machines, 28(4), 689–707. https://doi.org/10.1007/s11023-018-9482-5
Have you ever heard an E flat hammering a Steinbeck string Pearl-white keyed on Mice and Men
knowing automated correction took away the concert piano from the pianist who passed away
replacing it for a favorite piece of printing press output and childhood memory in an age of mechanical reproduction
allow me to hear that man play with breaths counting down to this day today when condolences are resounding
across the score written by a name of fame chops chopping Chopin counterpoint reasoning largesse demanding all space
and yet recorded history is a rhythmic left hand of human prehistoric colored rockface
stone Bach, Steinbach, Steinway hidden from a conscious Sun just a stone throw away
in the painting across, behind blue trees with protruding shadows by an unknown and loved French painter
with her multitudes of brains would an octopus play blank ink preludes differently on sharps ‘n’ flats
my art application lived a controversial collective across a note-taking of love
—animasuri’24
—-• trigger
Allen, D. (2024, March 23). Maurizio Pollini, Celebrated Pianist Who Defined Modernism, Dies at 82. His recordings of Beethoven and Chopin were hailed as classics, but his technical ability sometimes invited controversy. Online: The New York Times. https://www.nytimes.com/2024/03/23/arts/music/maurizio-pollini-dead.html