Reality — realty sold as plots of discourses and recordable events; housing unstrung as auctioned bottled museum pieces of context without humans at its center; luring a viewing through a screen as a visitor from a free world into prison glass for a model citizen free from our reinterpreted lob-sided pasts; glimpsing while you belief not reflected; as what really is in your gut, across your street, in front your nose, at hands reach far beyond.

Actuality — actuators moved as mesmerisations and memories as agents of change and intricate feedback loops. All is full of change that actuates; Strung up as drying photos sequencing lynched hiatuses between snapshots on an agave sisalana; as music of pauses between chords, threading its way across space: nothing special (,) just sounds fancy; when bespoken as one; as what actually happens across your hall, taking action, baking cake, making it happen.

Sensuality — measuring the partially observable that what is is ruled, what is not ruled out; Vassals on the known land ploughing almost unnoticeably moving the edges and yet valuing vallus, wood-stakes and palisades and posting the acceptable known for what is at stake and none beyond; until as what sensibly can be prodded over your meal, mead with zeal; what can be shifted what can be kissed not entirely goodbye on soft lips of we have known you. Hug and measure the endorphins or dopamine of a past model with analgesic’d senses.

Liminality — fluidly moving becoming the step-up tripping to change intermingled; balancing the edge’s spaces left n right, top n bottom neither here nor there, within, without, yet process processed processes and then let them slip away, be as sand through the crevices between gentle fingers on a gentle fist back to the fold of grains and dunes; letting histories grow with winds in transiting minds, for they know they are past once a look, a listen, smell, touch, and oozed balance and coordinated fall has distracted them back into focus of seeing nothing, being transient yet becoming all.




—animasuri’24




•

“shamed is the new famed,”
Charlotte claimed,
“I want to forget.”

stuck in scrapes
hidden pixels and blatant memes
faked in videos,

turned off, ghosted on
tracked on hyper attention
and deanonymized chains

inferred in profiles
extrapolated, triangulated
related associated manipulated
befriend, followed and liked for dis-

printed, scanned, mimicked
kept safe in the national archives
and trolled hexed phished belied

for prosperity and democracy,
perhaps not yours, but nonetheless
for kicks, for kicks, for kicks

for searches, or art, yes, art that’s it
it must be seen it must be broken
as whipped cream on stale lard

for backdoors, fattening returns,
redundancies degenerated,
insatiable knowledge regurgitated n feigned

taken not stirred neither asked
right to be remembered and gazed
and cloned, and made their own

consent, a holy grail, a fountain of youth?
consent, as agency bent and toothless?
consent, only for humans certified?



—animasuri’24



—-•
trigger

SWGfl (Safe Secure Online), Wright, D., Corish, K., Hayden, C. Slee, S., Kenneally, M., Radanovic, B. (2024). Stop Non-Consenual intimate Image Abuse. Stopncii. Online: https://stopncii.org via https://swgfl.org.uk/ and with https://lnkd.in/gRgcaCyt

Ryan-Mosley, T. (2023, December 1). high school’s deepfake porn scandal is pushing US lawmakers into action. Online: Policy. IN: MIT Technology Review. https://lnkd.in/gBXWc2uG

“Thaw, thaw!” cawed the large-billed crow
conveying the crowd below,

just a dash away, dashes on the asphalt road, dashes of LED hyphening tangible worlds into blue-lit polishments disposing of compounded perspectives for geo-positioned nudged directives. “Thaw!”

swooping in and out of mobile phones, digitally-gated facial-recognition offices, into, out and through app-applied cars and steel carriages.

The bird’s a poet on a brown life-promising branch creaking along the glass building skyline backdropping a winter tree which’s wood tentacled curvatures and textures are not the only guides to Gothic here

“Thaw, thaw!” melts away in the masks we filter throughout dawn into the surface husk of calculated constructs as stanzas and meters of feet in line with the order of the day

melting embrace mechanized rays of transparent explainability: the crow wings the air going about its say: “thaw!”

“Thaw thaw!”




—animasuri’24



•

power to
simply do
due to
its properties

“I can therefore
I spy,”

fact-stated Tom,
The supreme leader’s
private third eye

“I break therefore
I take
I lobby therefore
I validate”

“Your ontology
is precooked
overbaked
ready to regurgitate
what we say
you know”

[silence broken]

Oh Tommy boy,
Your peepin’
peepin’s callin’

from glen to glen
of silicon and valley

fading ‘ruptly
at fireplaces fiercely

[fade out with a sense of purpose]

in social trenches
disconnected
yet not fallen

Oh Tommy boy
Reality ’s a callin’

[generating beauty of peaceful silence]
[beauty of peaceful silence]
[peaceful silence]



—animasuri’24

“Spring is nascent
Boss is wearing ‘er bright blue scarf
meticulously creaseless

as when some ironed
wearable morning paper
as breakfast’s news

‘t was all truth n said back then
and for the rest of the day
the world stood still

as if winter with life
kept fresh yet desurfaced
with the necessary outliers

when snowdrops pushed through
and Marry had slipped
and bumped ‘er knee: that was new

scarf meticulously
unmoved
tells a different story

now it’s the season
of stainless office steel
stealing midday silences

with tokens and tickers
recycling memories of others
and making up even more

Spring is nascent though
noticing new garden supplies
as snowdrops’ pushin’ “




—animasuri’24



•

In my “arbitrary enclaves of order and system”
clock work, orange, steam place, blue
capture talk, control walk, unblinking an eye

I delegate delegation to the corner
it’s that geometry for dustballs, dustbins,
cat dens, bathrooms or c-suite offices

The Worlds
only linear flat
from up close

Yesterday, there I drew
a straight line
circumventing Earth

taking close ups
as I strung along
hid curvatures
unveiling texture

I love
growing old with you



—animasuri’24
4K



—-•
A trigger & reference


Wiener, N. (1950, 1989). The Human Use of Human Beings: Cybernetics and Society. Boston: Houghton Mifflin Company | London: Free Association Books. (p. xiii) Last retrieved 11 August, 20223 from https://lnkd.in/eqKh9gZK

“In the arts, the desire to find new things to say
and new ways of saying them
is the source of all life and interest.” (p.134)

If light matters
matters of light
lightly matter
material might

sounding bells
as fantasy spells
and dormitory rhymes
hyping rhythm fusing sight

stop: intention

Poetic dust settles boys
come in to play with real
strengthen the shores
for reel in your mores

shower off darkness
wipe feet with memories
whip sticks to hammers

compose: intention

See not your words
sense not your hurt
think not your meaning

yet
swaying sifting cubes
geometries n topologies
lurk

move: intention
move intention
and listen lightly


—animasuri’24




—-•
Triggers

Bodo, R. P. P., & Schiavoni, F. L. (2018). A Sonification Approach to Music Visualization. IN: Proceedings of the 11th International Conference of Students of Systematic Musicology. https://lnkd.in/gY4x-v4k

Cherston, J., Hill, E., Goldfarb, S., & Paradiso, J. A. (2016). Sonification Platform for Interaction with Real-Time Particle Collision Data from the ATLAS Detector. Proceedings of the 2016 CHI Conference Extended Abstracts on Human Factors in Computing Systems, 1647–1653. https://lnkd.in/gWex9bQK AND https://lnkd.in/gAiC3Ub7

Forest, T. A., Lichtenfeld, A., Alvarez, B., & Finn, A. S. (2019). Superior learning in synesthetes: Consistent grapheme-color associations facilitate statistical learning. Cognition, 186, 72–81. https://lnkd.in/gEmapeTZ

Hupé, J.-M., & Dojat, M. (2015). A critical review of the neuroimaging literature on synesthesia. Frontiers in Human Neuroscience, 9. https://lnkd.in/giNy-cfW

Neuwirth, R. J. (2022). Law, artificial intelligence, and synaesthesia. AI & SOCIETY. https://lnkd.in/gSumra4h

Rothen, N., Jünemann, K., Mealor, A.D. et al. (2016). The sensitivity and specificity of a diagnostic test of sequence-space synesthesia. Behav Res 48, 1476–1481 (2016). https://lnkd.in/g7JSuHkE

Tomson, S. N., Narayan, M., Allen, G. I., & Eagleman, D. M. (2013). Neural networks of colored sequence synesthesia. The Journal of neuroscience : the official journal of the Society for Neuroscience, 33(35), 14098–14106. https://lnkd.in/gdY6Rfaf

Watson, M., Akins, K., Spiker, C., Crawford, L., & Enns, J. (2014). Synesthesia and learning: A critical review and novel theory. Frontiers in Human Neuroscience, 8. https://lnkd.in/grijeaWn

Weibel, P., Brümmer, L., Kanach, S. (Eds.). (2020). From Xenakis’s Upic to Graphic Notation Today. Online: ZKM Karlsruhe | Hertz-Lab, the Centre Iannis Xenakis in the framework of Interfaces, a Creative Europe project, the European Union. Berlin: Hatje Cantz https://lnkd.in/gYUg54iH AND https://lnkd.in/gv-bV-2d

The emergence at the borderland
is where knowing is one of no idea
as dark energy, enlightening data
waving for it to matter

There we know we could explain
from left from right, further down encroaching from left, groping at epistēmē
further from right, right there are unknowns

Appropriately deforming rapprochements
to gain “that little extra closeness”
serendipitously: it really does
for a prepared mind serenely ‘t does

Placing focusing
altering by observation
wandering wonder
laying imagination

There is that moment
where speech falls behind
yet words
words

Are words are
the only crumbs at hand
to lead us all,
the seeing blind



—animasuri’24



—-•
a trigger & reference

Emeritus Prof. Sir Michael Berry, Prof. Al-Khalili, J., Bonnett, T., Holt, G., Harris, J. ( 2024, 23 January, 4:32 -05:00AM). Emeritus Prof. Sir Michael Berry’ Life Scientific. IN: The Life Scientific. Podcast: Discovery. BBC World. Retrieved from https://lnkd.in/gFR63-ve

“I had an idea
crystal clear in my mind
Just now just here?”

Juiette seemed to remember
being unsettled

“I have a tune in mind
’t was harmonized
My vocal cords?”

Juiete hummed,
crackling out of tune unheard

“I have a smell
reminding me of Boston
Is it sensible to be living in Brussels now?”

Juiee disorientated
the glitching nozzle of her tea pot

“I had a love so real
the inside of my elbows tinkle
and arthritis makes it rain?”

Juie, ah, Jui,
mon amour, amplified

“I still have it all,
I still have it all.
Can I attenuate?”

Ju shook off
the virtual reality engine
and stared vastly at her fluffy artificial companion

out of batteries;
what time is it in its circuitries?

“It’s accidental,”
J murmured


—animasuri’24


—-
Triggers

Hernández-Orallo, J., & Vold, K. (2019). AI Extenders: The Ethical and Societal Implications of Humans Cognitively Extended by AI. *Proceedings of the 2019 AAAI/ACM Conference on AI, Ethics, and Society*. [https://lnkd.in/gScTzPW2.)

Hinder, F., Vaquet, V., Brinkrolf, J., & Hammer, B. (2023). Model-based explanations of concept drift. Neurocomputing, 555, 126640. https://lnkd.in/gQDRFg92 AND https://lnkd.in/g2v4cECk

Pilditch, Toby D., Jon Roozenbeek, Jens Koed Madsen, and Sander van der Linden. “Psychological Inoculation Can Reduce Susceptibility to Misinformation in Large Rational Agent Networks.” Royal Society Open Science 9, no. 8 (n.d.): 211953. https://lnkd.in/g6n-CPcR.

Qi, J., Wu, C., Yang, L., Ni, C., & Liu, Y. (2022). Artificial intelligence (AI) for home support interventions in dementia: a scoping review protocol. BMJ open, 12(9), e062604. https://lnkd.in/grb6iqBt

Shumailov, I., Shumaylov, Z., Zhao, Y., Gal, Y., Papernot, N., & Anderson, R. (2023, May 27). The Curse of Recursion: Training on Generated Data Makes Models Forget. ArXiv.Org. https://lnkd.in/gMJ3EhuZ

Webb, Geoffrey I., Roy Hyde, Hong Cao, Hai Long Nguyen, and Francois Petitjean. (2016). Characterizing Concept Drift. IN: Data Mining and Knowledge Discovery 30, no. 4 (July 1, 2016): 964–94. https://lnkd.in/gS4C9TdE.

Their World is a transparent world
All are seen and yet
all are cramped

into the headgear panopticon inspection house:
a living room labeled cozy, looking out
into emptied cells surrounding

The Bureau of Digitization and Erasure,
a guardrail and governance provider,
made being-on-the-look-out redundant

keeping watch is now open-sourced,
spatially computed, and edge-democratized.
So, no one indulges to care

“though, they should look down
further down, no, even further
then their screens shine up,” someone dared

“Beneath the tiles, into the underlayment,
disregarding the existence of a floor,
There, or so some are told,
flows a community flourishing

The Hush Artists
creators nay saviors
of forbidden arts undigitized

an underground of gazing
with noses, ears, yes,
even touch and taste are on the market

for an analog
vestibular proprioceptive experience
you pay more”

“yo bro, a sniff from a charcoal artist
goes for .003 Crypto on the Zettachain,”
a grifting floorganger whispers, “get two for one.”

They are toxic and browser-page empty
to any digital dematerial girl
senselessly conforming into
measurements and cybercorrectness

“don’t look so down,
look up into 100000 lux
the future is positive
future is blue,”
rang the midday reminder.

All are seen yet all are cramped
by their adoptions
of another one’s words.




—animasuri’24



•