a poetic playful slice from intertwined realities around us

Our species goes through great lengths to create potentials for augmented physical and metaphysical experiences. Our attitudes towards the behaviors involved in these creative processes –stimulated by and surrounding or within these endeavors– are increasingly complex, interconnected and contextual.

If one were to imagine that the universe were to have found its versions of “mirrors”, within the formation of life and lifeforms, created within its own embodiment, one might then continue imagining that this self-reflective universe seems to challenge itself to take its abilities further, into increasing detail. This could be imagined momentarily as irrespective of our human ethical evaluations thereof, which ironically, in this imagination, would be yet another dimension of the self-reflective nature of that anthropomorphic universe itself.

We humans are not that universe’s only format enabled to create a building surrounding a tree or immersing a grand piano, the latter with which we have the aim to maximize the sonic and visually immersive experiences for the listener with the pianist, massaging the keys.

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As Indonesian Vogelkop Bowerbirds and other species, we too create structures, schemes and dances –as elaborate forms that follow even more, or less, elaborate functions– to maximize experience by another, and to some extent, also to the advantage of ourselves (and our social status or genetic material).

Then again, perhaps this it’s not too far imagined that this all is “simply” to propagate the self-reflective iterations and convolutions of said universe and its aesthetic exploration of what it, itself, aspires to behave as, become and ends up expressing.

Here: the universe allows itself to enjoy its architectural creations via human creative proxy: awe-inspiring.