“ambiguity” met “dubiousness” & offered us a metaphorically chimeral offspring. 

Sometimes one can hide one’s dubiousness behind an imposed fluffy veil, draped over the idea, act, fact & myth of artistic ambiguity or their similar twin-sistered genius-like abilities to see harmonious patterns & processes, where others might “solely” claim  contradiction or paradox.   

However, a connotation for “dubiousness” will be served and only today as a cold dish, with the following biodegradable ingredients: “dubiousnesses are the states and processes of being, acting or being perceived as ‘sus’ among us”. 

“ambiguity” shall be brewed here as “one of the  transformative processes of flowing multiple vectors of interpretable meaning in flux (including effect, affect, interpretation, applicability, appropriation, etc) bussed through a meaning-combining matrix.” Dizzy yet? This is Lingua Inebriare & perhaps an example of our chimera?

Ambiguity might be constructed by combining seemingly opposing attributes & that not merely from two opposing sides but, rather, from a multitude of interconnected directions and intensities. 

Yes, shocker and spoiler alert: any coin does hold more than two sides together; which proverbially continues to be stubbornly denied by many mental models and their extreme reduction of physical and metaphysical obviousness. The coin’s multidimensionality is not dubious it might feel ambiguous when one might try and ask questions such as:

“which side am I on?”,

“what’s up and what’s down?”

“Does this coin make any sound if it fell where no human  could sonically observe it?”

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ambiguity can be misused as much as any other mediating process for meaning-making could be. 

How shall one vote? “Ambiguity” perhaps yes?

While for “Dubiousness” the jury is still out?

And maybe “no” on combining the two?

Here’s a thought: let’s remain ambiguous about it. 

——

photo up ahead : “when the table takes the upper hand”. Digitally photo-edited digital photography of artificial props . animasuri’21