animasuri.

This work is part of my study on abstract views on transmedia narratives.

Via its minimal nature its media and content is ripped out of the hands of high-tech constructs or large budget story telling.

This digitized and digital work found its media-carrying source in the analog, discontinued by its frame; in canvas.

The source media was an oil painting’s hidden side; it’s B-side. That side of a painting that remains unspoken or unheard.

There is a story: seemingly more textural than textual; it is geometrical, it is spacial. It is one about genesis and relations.

It is an abstraction of story telling. One of an unwanted bastard twin-brother. A darkened and silenced side inherently linked to the brightened glory and illuminated fame of its branded reverse twin-side, creating a surreal narrative tension of  one of two twins that is born out of a relationship between the painter and the paint. It is a story about untouched canvas, a story about the maximized potential not yet (if ever) brought to fruition; or is it given story definition here?

Here is a family picture.