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Author Archives: jan—animasuri
Transmediated poetry 001 | The Grid: Object #002
a poem is a piece of writing that “partakes of the nature of both speech and song that is nearly always rhythmical, usually metaphorical, and often exhibits such formal elements as meter, rhyme, and stanzaic structure.” [*1] A grid has … Continue reading
Reality Appropriated.
on this blog’s reality page a collection of definitions for virtual reality, real virtuality, augmented reality, hyperreality can be found. In a MIT Press publication of this month, Hello Avatar. Rise of the Networked Generation, reality is appropriated yet again. … Continue reading
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The Purposeless Art Series | Object 001
While reviving an old 1981 text by Rosalind Krauss published in her MIT’s October journal touching on The Originality of the Avant-Garde, an eye-opening perspective on Rodin‘s reproduction processes and the mechanics surrounding his The Gates of Hell was cast … Continue reading
Digital and Digitized Objet Trouvé
An objet trouvé is according to the Oxford Dictionary an object “found or picked up at random and considered aesthetically pleasing.” Wikipedia introduces it as follows: “The term found art—more commonly found object (French: objet trouvé) or readymade—describes art created … Continue reading
Digitized Urbanity
The process behind the following photograph sequence is quasi identical to the Architectural Orphanage Series. The work is thus also simplistic, non-obtrusive and intangible media technology hacking with an abstract artistic result. As in a petri dish one can culture … Continue reading
appropriation art
DRAFT v1.0 …open for rebuttal and suggestions . . . While open for refutation or fine-tuning, I have observed that appropriation—as part of the larger scope of [mechanical] reproduction—in the arts (and to a lesser extent in content|media|communication) can be … Continue reading
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