Author Archives: jan—animasuri

About jan—animasuri

anima suri (a.k.a animasuri, animasuri, animasuri, animasuri’10, animasuri’11) animasuri is an ongoing project using technologies as media, text as sound and sometimes visuals as odors. animasuri is trans-media. It is possibly mixed with irony, possibly with salad or coconuts; depending on the gaseous nature of transatlantic chatter. animasuri is a rational, calculated forecast of the surreal. It comments and reflects on the perceptions of daily experiences while losing all grips with it. It is highbrow on a low hanging belly. animasuri provides surrealist BrainNnocularZ containing contextual media from teaspoons to nailtrimmings. Some of animasuri’s forms drink bear, or cuddle beer. Some pick noses, or snooze with pixies. Others tap on keys or rather let them tap on others. Therefor, animasuri is clearly straightshooting vegan. animasuri is cerebrally monkey-styled. animasuri browses through the intertwined visual corridors connecting sound art, visual aberrations, appropriationist art, sound poetry and the spoken or written word. As source material visual bits, conceptual queues or soundbites are derived from pre-existing sonic or other materials, artificial creations and digital errors, environmental record-keeping, bio-confabulation and appropriation of context. animasuri is ex- in the premature sense of the word. Etymologically, animasuri is a French-like sourir pickpocketing an Anglican feminist Latin soul. animasuri is not French nor English nor American and surely not Spanish or Brazilian; it is homi in a Bhabha-esque swirl. It is balance found in the chaos of established stereotypes while acknowledging male nipples are trans-national and universally misunderstood. As a reflection of an extrinsically-labeled happily married white Caucasian Judeo-Christian heterosexual Buddha-lover, animasuri finds harmonious solace in Judith Butler’s “Gender Trouble” without any sexual troubling implications. Politically left-free, animasuri is capitalistically comfy bathing in loyal conservative strands amidst its progressive left libertarian conceptualizations with a-communist socialist twists. animasuri contradicts therefor is not.

poem ii

this pen is unpredictable this poem has not been created. Don’t even think of gliding your eyes across its body of text This poem is liberated you shan’t grab it with your nets of semantics, semiotics, or semi-psycho analysis This … Continue reading

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poem

A Belgian in Beijing At five in the morning everyone I used to know lives in the past This time is a realm of tranquility I imagine a grand relationship as I envision to be their truthsayer I see their … Continue reading

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The Three Rhetorical Monkeys

Not See, Not Hear, Not Speak… The Three Rhetorical Monkeys are PATHOS, ETHOS and LOGOS.  

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Transmediated poetry 004 | Impressionist Data Mapping

The idea arose during my daily dose of world radio programs offered by an established broadcaster. I heard reports of various global conflicts and struggles. Those touching the heart are often those that seem to involve some fatal ending to … Continue reading

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art blending

ART BLENDING. DRAFT 1.09  

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Transmediated poetry 003 | The Grid: Object #003 — Compounded art

Art appropriation via deviation, or differently put, transmediation. A poetic exploration of art history by means of a computer screen shot. Is it anachronistic? Is it a surreal juxtaposition? Beyond the distractions of any perceived or superficial narrative it rather … Continue reading

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Peaceful digitizations -001

I stumbled on Keith Aggett’s work while studying the online culture surrounding the technique of vertoramas. In short; he’s a photographic zen master. He made me think of a category I have baptized as “peaceful digitizations”: a category under which … Continue reading

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