Author Archives: jan—animasuri

About jan—animasuri

anima suri (a.k.a animasuri, animasuri, animasuri, animasuri’10, animasuri’11) animasuri is an ongoing project using technologies as media, text as sound and sometimes visuals as odors. animasuri is trans-media. It is possibly mixed with irony, possibly with salad or coconuts; depending on the gaseous nature of transatlantic chatter. animasuri is a rational, calculated forecast of the surreal. It comments and reflects on the perceptions of daily experiences while losing all grips with it. It is highbrow on a low hanging belly. animasuri provides surrealist BrainNnocularZ containing contextual media from teaspoons to nailtrimmings. Some of animasuri’s forms drink bear, or cuddle beer. Some pick noses, or snooze with pixies. Others tap on keys or rather let them tap on others. Therefor, animasuri is clearly straightshooting vegan. animasuri is cerebrally monkey-styled. animasuri browses through the intertwined visual corridors connecting sound art, visual aberrations, appropriationist art, sound poetry and the spoken or written word. As source material visual bits, conceptual queues or soundbites are derived from pre-existing sonic or other materials, artificial creations and digital errors, environmental record-keeping, bio-confabulation and appropriation of context. animasuri is ex- in the premature sense of the word. Etymologically, animasuri is a French-like sourir pickpocketing an Anglican feminist Latin soul. animasuri is not French nor English nor American and surely not Spanish or Brazilian; it is homi in a Bhabha-esque swirl. It is balance found in the chaos of established stereotypes while acknowledging male nipples are trans-national and universally misunderstood. As a reflection of an extrinsically-labeled happily married white Caucasian Judeo-Christian heterosexual Buddha-lover, animasuri finds harmonious solace in Judith Butler’s “Gender Trouble” without any sexual troubling implications. Politically left-free, animasuri is capitalistically comfy bathing in loyal conservative strands amidst its progressive left libertarian conceptualizations with a-communist socialist twists. animasuri contradicts therefor is not.

Spacetime

SPACETIME imagine space yet to be lived in Imagine a space as that singular knowledge of void that singular space void of knowledge imagine space lacking the confounds of memory past minus birth imagine that space lacking beginning Imagine a … Continue reading

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Who’s the Man? (poem)

  Who’s the Man? I am man in solitude; navigating in-between the hubris of corporate leaders’ arrogant deviations and perversions of enlightenment-to-be-nurtured. Yet, embracing the joy and loss-of-control amidst my young family I am man in-the-know of institutionalized religion yet … Continue reading

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Globalized Modernity?

Before posting the promised essay on Hadid’s Galaxy Soho, here in Beijing, China (see earlier entry on this blog) I realized I needed to explore a few theoretical points that have been creating very tangible and very practical effects over … Continue reading

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Galaxy | territory | poetry

I am currently studying how to analyze Hadid’s Beijing Galaxy Soho building by using a framework distilled from Bachelard’s “The Poetics of Space.” Photographs have been made. The guiding text is being read. The essay is mentally being constructed. I … Continue reading

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Contemplations on Fluidity: Territorialization & The In-Between

I took the opportunity to contemplate further on fluidity (see the essay, Art Blending, above in this blog). For a few months I participated in a massive online course. A think tank exploring possibilities for the near-future city.  I adopted … Continue reading

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Copyright Mechanisms & Appropriation Art.

I had not visited the Internet Archive pages for a long time. For some reason I did so and was surprised that one of my older texts (this one is on various Copyright Mechanisms in relation to artistic methods of … Continue reading

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poem iii | NOW

NOW Censors are game Hunted by the unforeseeable Shot down by imagination, Skinned to the letter. To the censors, language is tool. To its open users, it is reality; un-codified The censor’s line is sterile. These lines here, include all … Continue reading

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